Looking for floor music that brings the sass, energy, and style? Below are 10 crowd-favorite tracks that coaches and choreographers say are setting the tone for 2025. These picks are already showing up in NCAA meets or featured on top gymnastics music sites like Floor Express, Salute Music, and JumpTwist—so you’ll know they’re competition-ready and easy to license.
1. “Let’s Go Crazy” – Prince (Remixed Version)
🔥 Used by Olympic gymnast Jordan Chiles in her 2025 UCLA floor routine
This upbeat remix of Prince’s classic hit is packed with energy, attitude, and flair. From the bold guitar intro to the driving beat, it delivers real personality on the floor. No surprise Jordan Chiles turned it into a crowd-favorite in NCAA competition this season.
Faster tempo = more energy
The original track clocks in around 100 BPM, but this floor-ready remix ramps it up to 124 BPM—a sweet spot for gymnastics. It keeps routines moving briskly without rushing landings or poses.
Two iconic tracks in one
This version mashes up “Let’s Go Crazy” with “Raspberry Beret,” blending the dramatic organ opening of one with the playful chorus of the other. It gives gymnasts two distinct high points to connect with judges and fans alike.
Built-in variety for choreography
The remix shifts naturally through moods and motifs, offering choreographers clear moments to highlight different parts of the routine:
- Bold guitar riffs for tumbling passes
- Groovy rhythm breaks for dance and footwork
- Bright horn hits for sassy poses and sharp accents
Jordan Chiles consistently scored 9.9+ with this music, and clips of her routine have already topped 1 million views online. It’s a proven, crowd-pleasing option for gymnasts who want to bring the fun—and the confidence—to the floor.
Source: ESPN.com
2. Beyoncé Power Medley (Crazy in Love, Cuff It, Partition)
🔥 Used in several NCAA and elite routines, this medley is becoming a 2025 floor favorite
This remix brings together three of Beyoncé’s most iconic hits in one powerhouse track. From the first horn blast of Crazy in Love to the disco groove of Cuff It and the sultry snap of Partition, this medley is packed with attitude, confidence, and floor-ready sass.
Fast tempo, but still under control
The original tempos vary—“Crazy in Love” is 99 BPM, “Cuff It” is 115 BPM, and “Partition” lands around 176 BPM (or 88 BPM in half-time). Vendors like Jumptwist streamline everything into a steady ~128 BPM, giving gymnasts a rhythm that feels upbeat but manageable.
Three songs = three highlight moments
Each part of the medley brings something unique:
- Bold horns from “Crazy in Love” start the routine with power
- Funky bass from “Cuff It” fuels the dance sections
- The chopped vocal from “Partition, please” adds drama and builds to a perfect finish
Built for standout choreography
With so many shifts in tone and rhythm, this track is made for expressive movement—hip rolls, shoulder pops, dramatic leaps, and confident final poses.
It’s already proven to work
In 2020, Nia Dennis scored a viral 9.975 with a Beyoncé medley. Jordan Chiles followed suit at the 2024 Olympic Trials, channeling the same energy with her own Beyoncé mash-up. This version picks up that legacy and delivers it in a competition-ready cut.
Licensed and ready to go
Jumptwist offers a 1:24 cleared version in its 2025 catalog—no need to edit or hunt for rights. Just plug and play.
Source: gymnastics-history.com
3. “Eye of the Untold Her” – Lindsey Stirling (Club Edit)
🔥 Inspired by Suni Lee’s 2024 Olympic floor routine—grace meets fire
This remix of Lindsey Stirling’s electric violin track strikes a rare balance between classical elegance and EDM energy. It’s ideal for gymnasts who want to move with emotion while still delivering high-powered tumbling.
Cinematic strings meet festival beats
The original runs around 108 BPM, but gymnastics vendors often adjust it to 125–130 BPM, giving gymnasts plenty of lift without sacrificing control.
Natural musical structure
Stirling’s signature violin builds create obvious moments for choreography:
- Crescendos pair perfectly with tumbling passes
- A half-time breakdown at 0:26 gives gymnasts a breather for dance or expression
No lyrics = no penalties
This edit is 100% instrumental—safe from FIG vocal deductions—and still full of drama and dynamic range.
Backed by a champion
Suni Lee used a Lindsey Stirling piece at the 2024 Olympics, earning praise for her musicality and performance quality. The clip passed 1 million views online within days of airing.
Easy to license
Vendors like Floor Express and Salute Music offer this track in pre-cleared packages with a WAV file, license certificate, and start beep included.
Source: People.com
4. “Houdini” – Dua Lipa (128 BPM Remix)
🔥 A disco-pop remix turning floor routines into runway moments
This remixed version of Dua Lipa’s Houdini brings modern pop polish to the mat, with a perfect mix of bounce, sass, and style. It’s a go-to for gymnasts who want to perform with flair while keeping clean execution.
Tempo made for gymnastics
The original track sits at 117 BPM, but most floor-ready remixes notch it up to 128 BPM—a tempo that’s fast enough to energize routines without pushing past control.
Built-in storytelling
The song’s lyrical theme of mystery and vanishing acts makes it ideal for creative choreography—peek-a-boos, illusion turns, bold poses, and sudden shifts in direction.
Hook-heavy without penalty
Most gymnastics edits cut lyrics after the intro, leaving behind chopped vocal hits like “hoo-di-ni” that are FIG-legal and still instantly recognizable.
Trending and timely
This remix is riding a cultural wave:
- Hit #1 on Billboard’s Dance/Electronic chart
- Won Best Choreography at the 2024 VMAs
- Featured in Dua Lipa’s 2025 Radical Optimism Tour
Source: YouTube.com
5. Metallica Symphonic – “Enter Sandman” (Orchestral Remix)
🔥 For gymnasts who want to hit the floor like a rockstar—with strings
This dramatic orchestral remix of Metallica’s Enter Sandman adds symphonic depth to an already powerful rock classic. It’s perfect for athletes looking to mix strength, style, and edge in a way that feels cinematic and bold.
Hard rock meets high drama
The gritty guitar gives the music a punch, while the full orchestra adds sweeping emotion and drive. Together, they create a track that commands attention from the first note.
FIG-safe and arena-ready
This version is pulled from Metallica’s S&M and S&M2 concerts—fully instrumental, no vocals, and 100% compliant with competition rules.
Designed for clean choreography flow
- A choral pad section (0:24–0:36) offers a calm interlude for artistry
- The chorus explodes right after, syncing with tumbling passes or a dramatic leap
Tempo tuned for performance
The original is 123 BPM, but gymnastics edits usually stretch it to 128 BPM—keeping it right in the performance sweet spot.
It’s already making headlines
In 2024, UCLA’s Frida Esparza used this music in her floor routine, scoring multiple 9.9+ performances. Her routine quickly went viral, earning praise for its originality and power.
Ready to license
Jumptwist and Salute Music both offer a 1:24 orchestral cut, complete with paperwork and FIG compliance documentation.
Source: Inside Gymnastics Magazine
6. “Bringing The Heat” – Elizabeth Forde & Matthew Sikora
🔥 Fresh and full of fire—perfect for fast, confident routines
Originally released as a demo in 2024, Bringing The Heat has quickly become a 2025 favorite. Composers Elizabeth Forde and Matthew Sikora crafted a high-energy track that hits all the right notes for gymnasts who thrive on bold choreography and fast-paced movement.
Instant attitude in the first four bars
The track opens with a filtered synth-horn riff, immediately followed by a snappy snare “call-and-response”. It’s perfect for a big opening pose or traveling intro combo.
Fast beats, clean rhythm
Built with quick snare fills and hand-clap accents, this track is a dream for gymnasts who want to sync precise footwork and tumbling. It supports passes like front layouts, punch fronts, and round-off variations.
Built-in contrast for choreography
Between 0:24 and 0:38, the music shifts to a stripped-down hi-hat and sub-bass section—ideal for showcasing artistry or slowing down into a balance element before the full rhythm returns.
A finale made to stick
At 1:25, the horns return with a final blast, capped by a descending tom fill and a strong cymbal crash—a perfect landing cue for your last tumbling pass or final pose.
Competition-perfect pacing
Coaches report this cut sits around 126 BPM, right in the optimal zone for optional and Xcel athletes—fast enough to bring fire, but controlled enough to stick landings.
Available now in the 2025 Floor Express catalog, complete with license and start-beep file.
7. “Tearin’ Up My Heart” – Jumptwist (Pop Throwback Remix)
🔥 A 90s favorite reimagined for today’s floor stars
Jumptwist brings a fresh twist to NSYNC’s 1997 classic, updating it with modern beats and punchy rhythm. It’s fun, flirty, and perfect for gymnasts who want a routine that’s both nostalgic and crowd-pleasing.
Nostalgic hook, fresh energy
The track’s opening instantly grabs the crowd with its recognizable melody, while remix layers add extra punch and bounce to keep it feeling current.
Cheeky musical accents
The music includes horn licks and a break-beat middle section—great cues for choreographers to time poses, turns, and expressive moves with flair.
Steady pacing for optional skills
Clocking in around 1:22, the tempo lands squarely in the optional-level sweet spot. It flows smoothly through skills like leap passes, layouts, and dramatic pauses without feeling frantic.
Final chorus = showstopper moment
The remix builds toward a bold finish, making it easy to end your routine on a stuck tumbling pass or a sharp, crowd-pleasing pose.
Available in Jumptwist’s 2025 catalog—FIG-compliant and ready to license.
8. “The Arena” – Barry Nease (Floor Express)
🔥 A dramatic opener with a goosebump-worthy finish
Composed by Barry Nease, The Arena opens with marching-band drums and razor-sharp strings, creating a “spotlight-on” moment right from the first beat. It’s a theatrical and commanding piece that’s become a standout in Floor Express’s 2025 collection.
Power-packed intro
The music launches with orchestral stabs and stadium snares—great for striking a strong pose or slowly walking into the corner with authority.
Artistry built into the flow
At around 0:15, the texture softens to hi-hats and pizzicato strings, offering gymnasts a natural moment to slow down and show control before diving back into tumbling.
High-impact sections for big skills
A soaring violin glissando at 0:48 leads into the second diagonal, while snare accents on counts 2 and 4 guide expressive choreography.
Finale made to stick
The track ends at 1:27 with a tight orchestral hit and half-beat of silence—perfect for sticking a double pike and holding a final salute.
Available in Floor Express Collection #29—fully cleared and FIG-compliant.
9. “Sassy & Brassy” – John Altman & His All-Star Band (Floor Express)
🔥 Broadway meets big-band swagger—perfect for cheeky, confident routines
Sassy & Brassy delivers everything its name promises: bold horns, jazzy rhythms, and vintage flair. Composed by John Altman and performed by his All-Star Band, this track is a favorite for gymnasts who lean into performance and personality.
Broadway-style instrumentation
It sounds like a pit orchestra straight out of a musical, complete with walking bass lines, blaring trumpet hits, and snappy snare fills. If your gymnast loves a show-stopping floor moment, this one sets the stage.
Built for playful choreography
- Horn stabs are perfect for shoulder shimmies, elbow pops, and sassy head rolls
- A wood-block break mid-track invites quick footwork, jazz hands, or even a choreographed wink
- The swingy rhythm keeps everything light, stylish, and full of character
Tempo and timing made easy
With a tempo that sits right around 124 BPM, the pacing supports clean tumbling passes and energetic transitions without feeling rushed.
For performers who love to entertain
If your gymnast shines with flair, sass, and a wink to the crowd, Sassy & Brassy lets them lean all the way in.
Available now in Floor Express’s 2025 catalog—fully licensed and FIG-compliant.
10. “Believer / Centuries Mash-Up” – Energym
🔥 Two stadium anthems collide in a floor routine built for adrenaline
This mash-up from Energym combines Imagine Dragons’ “Believer” and Fall Out Boy’s “Centuries” into one high-intensity, 90-second cut. It’s made for gymnasts who bring power and presence to every pass.
Fast start, strong finish
From the first beat, snare hits and heavy bass lines provide momentum for big tumbling. The pacing is driven but controlled, giving gymnasts structure for both passes and poses.
Anthem energy, choreo-friendly shape
- “Believer” brings grit and build-up, ideal for diagonal 1
- “Centuries” adds melodic breaks and catchy pop structure, perfect for leap sequences and transitions
No awkward transitions
This mash-up is tight and seamless—with clean flow between segments and no jarring cuts, making it easier to choreograph confidently.
Gymnast-tested, coach-approved
Fully instrumental and FIG-legal, it’s already a favorite among coaches looking for something bold, recognizable, and high-impact.
Available now from Energym’s 2025 catalog—competition-ready with license and beep file included.
2025 Rule Snapshot — Why “Lyrics-Free” Sass Still Matters
Under FIG rules, instrumental music with wordless vocals is still allowed—for now. But any track containing clearly recognizable lyrics will earn you a 1.00 deduction in sanctioned competitions, including USAG optionals.
While NCAA routines can freely feature full lyrics from artists like Prince or Lana Del Rey, gymnasts competing under FIG rules must stay lyric-free to avoid penalties.
And heads-up: starting August 1, 2026, the rules get even stricter. Any human or synthetic voice—words or not—will be penalized with a full-point deduction. That includes hums, chants, vocal chops, and even synthesized vocals that sound like speech.
So, 2025 is your last chance to play with vocal textures before the window closes. To avoid costly re-edits later, it’s smart to remove all vocal elements now and opt for clean, instrumental cuts that can carry your routine through 2026 and beyond.